SCENIC ART
Macbeth PHOTOGRAPHER Simon Gough
The Effect Spring PHOTOGRAPHER Kirsten McTernan
Love Steals Us From Loneliness PHOTOGRAPHER Kirsten McTernan
Help Me Im Falling PHOTOGRAPHER Jorge Lizalde
This is Not a Coup PHOTOGRAPHER Kirsten McTernan
Mad Margot PHOTOGRAPHER Jorge Lizalde / Studio Cano Jorge
In the Forest of Starlight and Shrapnel PHOTOGRAPHER Jorge Lizalde / Studio Cano Jorge
Working as a costume assistant on 'Flora, The Red Menace' ensured working to a fast pace whittling down a large checklist on the daily for 3 weeks. In the time leading up to the performances, I was able to enhance my skills in the costume department by completing a wide variety of tasks. Here is a list of some of my key roles;
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Attending read throughs, rehearsals, Production Meetings and reflecting on daily call sheets
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Working closely with the set designer to bring their vision to life.
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Developing work according to AutoCAD files and 1:25 Scale Models
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Compiling costing sheets and researching best materials for each purpose
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Presenting varied samples to the designer for the go-ahead
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Working as a team to complete large scale painting tasks
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Delegating tasks in order to complete the design to a strict deadline
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Working Get-Ins and Get-Outs, scenic calls and providing touch-ups throughout the shows
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Safely working wearing the correct PPE in a safe working environment
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Approaching projects with a sustainable mindset from start-to-finish
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Skilled with a variety of of mediums such as:
- Paint: dry brushing, spray painting, large scale painting, touch-ups, breaking down materials, UV paint
- Texturing: Idenden, glosses, sanding, filler, vinyl, laser cutting, stenciling,
- Tools: jigsaw, laser cutter, plotter, heat gun, staple gun, chalk string, drill, evo stick