PRODUCTION DESIGNER
SCENIC ART
Macbeth PHOTOGRAPHER Simon Gough
The Effect Spring PHOTOGRAPHER Kirsten McTernan
Love Steals Us From Loneliness PHOTOGRAPHER Kirsten McTernan
Help Me Im Falling PHOTOGRAPHER Jorge Lizalde
This is Not a Coup PHOTOGRAPHER Kirsten McTernan
Mad Margot PHOTOGRAPHER Jorge Lizalde / Studio Cano Jorge
In the Forest of Starlight and Shrapnel PHOTOGRAPHER Jorge Lizalde / Studio Cano Jorge
Working as a costume assistant on 'Flora, The Red Menace' ensured working to a fast pace whittling down a large checklist on the daily for 3 weeks. In the time leading up to the performances, I was able to enhance my skills in the costume department by completing a wide variety of tasks. Here is a list of some of my key roles;
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Attending read throughs, rehearsals, Production Meetings and reflecting on daily call sheets
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Working closely with the set designer to bring their vision to life.​
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Developing work according to AutoCAD files and 1:25 Scale Models
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Compiling costing sheets and researching best materials for each purpose
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Presenting varied samples to the designer for the go-ahead
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Working as a team to complete large scale painting tasks
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Delegating tasks in order to complete the design to a strict deadline
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Working Get-Ins and Get-Outs, scenic calls and providing touch-ups throughout the shows
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Safely working wearing the correct PPE in a safe working environment
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Approaching projects with a sustainable mindset from start-to-finish
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Skilled with a variety of of mediums such as:
- Paint: dry brushing, spray painting, large scale painting, touch-ups, breaking down materials, UV paint
- Texturing: Idenden, glosses, sanding, filler, vinyl, laser cutting, stenciling,
- Tools: jigsaw, laser cutter, plotter, heat gun, staple gun, chalk string, drill, evo stick